Shiff, Richard (Autor Personal)

Cézanne and the end of impressionism, 1984: CIP t.p. (Richard Shiff) addit. pub. info. (teaches art history at Univ. of No. Carolina)

Donald Judd, c2000: colophon (Richard Shiff) p. 23 (director of the Center for the Study of Modernism at the University of Texas at Austin)

E-mail from author, Dec. 20, 2002: (taught in North Carolina through 1988; moved to Austin, Tex. in Jan. 1989)

Chuck Close prints, c2003: CIP t.p. (Richard Shiff) data sheet (b. May 5, 1943)

Picasso black and white, 2012: CIP t.p. (Richard Shiff)

Kirkeby epifani, c2012: p. facing t.p. (Richard A. Shiff) in colophon (Richard Shiff)

Jack Whitten, 2022: title page (Richard Shiff)

Google books, June 21, 2023 (Richard Shiff is the Effie Marie Cain Regents Chair in Art at The University of Texas at Austin, where he directs the Center for the Study of Modernism; his scholarly interests range broadly across the field of modern and contemporary art and theory, with publications that include Barnett Newman: A Catalogue Raisonné (coauthored, 2004), Doubt (2008), Between Sense and de Kooning (2011), Ellsworth Kelly: New York Drawings 1954-1962 (2014), Joel Shapiro: Sculpture and Works on Paper 1969-2019 (2019), and Sensuous Thoughts: Essays on the Work of Donald Judd (2020)) https://books.google.com/books/about/Richard_Shiff_Writing_After_Art.html?id=QVS6EAAAQBAJ&source=kp_author_description