Twentieth-century art of Latin America / Jacqueline Barnitz.
Tipo de material:![Texto](/opac-tmpl/lib/famfamfam/BK.png)
- 0292708572 (hardcover : alk. paper)
- 0292708580 (paperback : alk. paper)
- N 6502.5 B36.2002
Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Copia número | Estado | Fecha de vencimiento | Código de barras | |
---|---|---|---|---|---|---|---|---|
Libros | Biblioteca Francisco Xavier Clavigero Acervo | Acervo General | N 6502.5 B36.2002 (Navegar estantería(Abre debajo)) | ej. 1 | Disponible | 299309 | ||
Libros | Biblioteca Francisco Xavier Clavigero Acervo | Acervo General | N 6502.5 B36.2002 (Navegar estantería(Abre debajo)) | ej. 2 | Disponible | UIA085994 | ||
Libros | Biblioteca Francisco Xavier Clavigero Acervo | Acervo General | N 6502.5 B36.2002 (Navegar estantería(Abre debajo)) | ej. 3 | Disponible | UIA085995 |
Incluye referencias bibliográficas (p. [359]-372) e índice.
Modernismo and the break with academic art, 1890-1934 -- The avant-garde of the 1920s : cosmopolitan or national identity? -- Social, ideological, and nativist art : the 1930s, 1940s, and after -- Surrealism, wartime, and New World imagery, 1928-1964 -- Torres-García's constructive universalism and the abstract legacy -- New museums, the São Paulo Biennial, and abstract art -- Functionalism, integration of the arts, and the postwar architectural boom -- Geometric, optical, and kinetic art from the 1950s through the 1970s -- Concrete and neoconcrete art and their offshoots in the Brazilian context -- Neofiguration, representational art, pop, and environments : the 1960s and 1970s -- Graphic art, painting, and conceptualism as ideological tools -- Some trends of the 1980s.