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The idea of cultural heritage / Derek Gillman.

Por: Tipo de material: TextoTextoEditor: New York : Cambridge University Press, 2011Edición: First published 2010, reprinted 2011Descripción: xii, 204 páginas : ilustraciones ; 23 cmTipo de contenido:
  • texto
Tipo de medio:
  • sin mediación
Tipo de soporte:
  • volumen
ISBN:
  • 9780521192552 (hbk.)
  • 0521192552 (hbk.)
  • 9780521122573 (pbk.)
  • 0521122570 (pbk.)
Tema(s): Clasificación LoC:
  • CC 135 G545.2011
Contenidos:
pt. 1. Claims about heritage -- Heritage and national treasures -- "Two ways of thinking" -- pt. 2. Heritage and narrative -- Constructing British heritage -- "This culture of ours" -- pt. 3. Regulation and rights -- Regulation and private rights -- Liberalism and valuable practices.
Resumen: "The idea of cultural heritage has become widespread in many countries, justifying government regulation and providing the background to disputes over valuable works of art and architecture. In this book, Derek Gillman uses several well-known cases from Asia, Europe, and the United States to review the competing claims that works of art belong either to a particular people and place, or, from a cosmopolitan perspective, to all of humankind. Noting the importance of cultural roles and narratives in shaping heritage, he looks at the ways in which the idea of heritage has been constructed. He focuses first on Britain and the writings of Edmund Burke and then on China and its medieval debate about the nature of "our culture." Drawing on a range of sources, including the work of Ronald Dworkin, Will Kymlicka, and Joseph Raz, Gillman relates debates about heritage to those in contemporary political philosophy and offers a liberal approach to moral claims and government regulation"--Provided by publisher.
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Libros Biblioteca Francisco Xavier Clavigero Acervo Acervo General CC 135 G545.2011 (Navegar estantería(Abre debajo)) ej. 1 Disponible UIA147656

"The idea of cultural heritage has become widespread in many countries, justifying government regulation and providing the background to disputes over valuable works of art and architecture. In this book, Derek Gillman uses several well-known cases from Asia, Europe, and the United States to review the competing claims that works of art belong either to a particular people and place, or, from a cosmopolitan perspective, to all of humankind. Noting the importance of cultural roles and narratives in shaping heritage, he looks at the ways in which the idea of heritage has been constructed. He focuses first on Britain and the writings of Edmund Burke and then on China and its medieval debate about the nature of "our culture." Drawing on a range of sources, including the work of Ronald Dworkin, Will Kymlicka, and Joseph Raz, Gillman relates debates about heritage to those in contemporary political philosophy and offers a liberal approach to moral claims and government regulation"--Provided by publisher.

Incluye referencias bibliográficas e índice.

pt. 1. Claims about heritage -- Heritage and national treasures -- "Two ways of thinking" -- pt. 2. Heritage and narrative -- Constructing British heritage -- "This culture of ours" -- pt. 3. Regulation and rights -- Regulation and private rights -- Liberalism and valuable practices.