From San Juan to Paris and back : Francisco Oller and Caribbean art in the era of impressionism / Edward J. Sullivan.
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- Francisco Oller and Caribbean art in the era of impressionism [Parte del título]
- ND 314.O44 S86.2014
Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Copia número | Estado | Fecha de vencimiento | Código de barras | |
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Libro antiguo y raro | Biblioteca Acervos Históricos Acervos Históricos | Libros Antiguos y Raros (LAyR) | ND 314.O44 S86.2014 (Navegar estantería(Abre debajo)) | ej. 1 | Disponible | UIA216926 |
Navegando Biblioteca Acervos Históricos estanterías, Ubicación en estantería: Acervos Históricos, Colección: Libros Antiguos y Raros (LAyR) Cerrar el navegador de estanterías (Oculta el navegador de estanterías)
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ND 259.V4 M692.1997 José María Velasco : el paisajista / | ND 259.Z3 A22.1997 Zárraga / | ND 278.M4 C37.1992 Carlos Mérida : color y forma / | ND 314.O44 S86.2014 From San Juan to Paris and back : Francisco Oller and Caribbean art in the era of impressionism / | ND 339.S25 A5.1987 Kazuya Sakai : serie Genroku. | ND 348 W662.1960.v.2 Modern french painters, volume II, | ND 359.P6 A22.1972 Cândido Portinari / |
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Incluye referencias bibliográficas (páginas 191-193) e índice.
Abierta a los investigadores bajo las restricciones de la biblioteca
Introduction -- Francisco Oller and the worlds of the Caribbean -- Francisco Oller at home and abroad -- Francisco Oller and Raphael Cordero: art and pedagogy in late nineteenth-century Puerto Rico -- The Battle of Treviño: Oller and the dilemma of "official" painting -- Plantains and coconuts -- Conflicted affinities: Franciso Oller and William McKinley / with Max Antonio Mischler -- Oller and his work in the modern imagination.
"Francisco Oller (1833-1917) was a Puerto Rican painter whose work was admired on both sides of the Atlantic. A native of San Juan, Oller spent over twenty years in Europe, establishing himself as one of the most distinguished transatlantic painters of his day. Oller participated in the pioneering movements of Realism, Impressionism, and naturalism, and he developed mutually influential relationships with such artists as Camille Pissarro and Gustave Courbet. These artistic trends informed his novel Realist-Impressionist approach, with which he would revolutionize the school of painting in his native Puerto Rico. In this original and important book, Edward J. Sullivan advances close readings of works spanning Oller's entire career and offers insights into the development of the Caribbean basin in the nineteenth century. With rich illustrations, From San Juan to Paris and Back recasts Oller as a central figure in nineteenth-century art and restores the significance of Oller's work and his influence in shaping a uniquely Caribbean aesthetic."--Publisher's website.
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