TY  - BOOK
AU  - Bateman,John A
AU  - Schmidt,Karl-Heinrich
TI  - Multimodal film analysis: how films mean 
T2  - Routledge studies in multimodality
SN  - 9780415754439
AV  - PN 1995 B38.2014
PY  - 2014///, 2012
CY  - New York
PB  - Routledge
KW  - Motion pictures
KW  - Philosophy
KW  - Cinematografía
KW  - Filosofía
KW  - Semiotics
KW  - Semiótica
N1  - Incluye referencias bibliográficas e índice; Analysing film. Distinguishing the filmic contribution to meaning -- Examples of filmic "textual organisation" -- Redrawing boundaries -- Organisation of the book -- Semiotics and documents. Semiotics and its relations to film -- The nature of discourse semantics -- The film as cinematographic document -- A combined view: filmic documents for filmic discourse -- Constructing the semiotic mode of film. Semiotic multimodality -- The internal organisation of semiotic strata -- Composing and combining semiotic modes -- Materiality and "epistemological commitment" -- Christian Metz and the grande syntagmatique of the image track. The original model -- Two examples of analysis with the grande syntagmatique -- Revisions and rebuttals -- Foundations for analysis: filmic units. The basic units of film: preliminaries -- Audiovisual iconic representations -- Perception, perceptual realism and reliable measurement -- Multiplicity: from perception to discourse -- Filmic units revisited: discourse-motivated definitions -- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique -- Capturing discourse dependency structures in film -- The paradigmatic dimensions of projection, taxis and plane -- Two examples of paradigmatic analysis -- Summary and conclusions
ER  -