TY  - BOOK
AU  - Aldama,Arturo J.
AU  - Sandoval,Chela
AU  - García,Peter J.
TI  - Performing the US Latina and Latino borderlands
SN  - 9780253002952
AV  - PN 1590.H57 P47.2012
PY  - 2012///
CY  - Bloomington, IN.
PB  - Indiana University Press
KW  - Hispanic Americans in the performing arts
KW  - Hispanoamericanos en las artes escénicas
KW  - Hispanic Americans
KW  - Ethnic identity
KW  - Hispanoamericanos -
KW  - Identidad étnica
N1  - Incluye referencias bibliográficas e índice; Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutiérrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Pérez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo México music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Pérez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela
ER  -