The new curator [researcher], [commissioner], [keeper), [interpreter], [producer], [collaborator] / writing and editing Coline Milliard, Rafal Niemojewski, Ben Borthwick, Jonathan Watkins ; Natasha Hoare, interviews, chapter-opening texts and curator introductions.
Tipo de material:![Texto](/opac-tmpl/lib/famfamfam/BK.png)
- texto
- sin mediación
- volumen
- 9781780677477
- 1780677472
- New curator, researcher, commissioner, keeper, interpreter, producer, collaborator [Parte del título]
- N 408 N49.2016
Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Copia número | Estado | Fecha de vencimiento | Código de barras | |
---|---|---|---|---|---|---|---|---|
Libros | Biblioteca Francisco Xavier Clavigero Acervo | Acervo General | N 408 N49.2016 (Navegar estantería(Abre debajo)) | ej. 1 | Disponible | UIA162273 |
Incluye índice.
Introduction / Coline Milliard -- The aspirational narrative of the new curator / Rafal Niemojewski -- A. Beyond the white cube. Artangel; Fram Kitagawa; Adam Sutherland; Juliana Engberg; Katrina Brown; Clark House Initiative -- B. Rethinking the biennale model. Sofia Hernández Chong Cuy; Chus Martínez; Leah Gordon; Raimundas Malaésauskas; Adam Broomberg and Oliver Chanarin; Solange Farkas; Pablo León de la Barra -- C. Towards a radical institution. Anthony Huberman; Khaled Hourani and Charles Esche; Maria Lind; Mami Kataoka; Koyo Kouoh -- D. Transcending boundaries. Claire Tancons; Pierre Bal-Blanc and Vanessa Desclaux; Ragnar Kjartansson and Andjeas Ejiksson; Clémentine Deliss; Joanna Warsza; Chang Tsong-Zung; Lisa Panting; Michael Connor.
This book presents a snapshot of the most interesting curatorial practices in the art world today. There is an emphasis on the "now": the introduction sketches in the development of curatorial practices since the 1980s but the shows under scrutiny in the following twenty-five case studies have all taken place in the last few years. The selected exhibitions - chosen by an expert panel of curators - run the global gamut, from Europe and the U.S. through Africa and the Middle East to China, and illustrate the particular challenges for curators working in both the commercial and public sectors. Large-scale shows and pop-up exhibits, permanent-collection rehangs and art fairs all have a place here. Each highly illustrated case study is structured around an interview with the curator responsible for the show. The text both tells the story of the show's making and fills in background information about the curator's work, resulting in an accessible guide to contemporary curating.