Imagen de Google Jackets
Vista normal Vista MARC

World politics on screen : understanding international relations through popular culture / Mark Sachleben.

Por: Tipo de material: TextoTextoEditor: Lexington, Kentucky : The University Press of Kentucky, [2014]Fecha de copyright: ©2014Descripción: 236 páginas ; 24 cmTipo de contenido:
  • texto
Tipo de medio:
  • sin mediación
Tipo de soporte:
  • volumen
ISBN:
  • 9780813143118
  • 081314311X
Tema(s): Clasificación LoC:
  • PN 1995.9.I57 S33.2014
Resumen: Increasingly resistant to lessons on international politics, society often turns to television and film to engage the subject. Numerous movies made in the twentieth and twenty-first centuries reflect political themes that were of concern within the popular cultures of their times. For example, Norman Jewison's The Russians Are Coming! The Russians Are Coming! (1966) portrays the culture of suspicion between the United States and the Soviet Union during the Cold War, while several of Alfred Hitchcock's movies as well as the John Wayne film Big Jim McLain (1952) and John Milius's Red Dawn (1984)
Valoración
    Valoración media: 0.0 (0 votos)
Existencias
Tipo de ítem Biblioteca actual Colección Signatura topográfica Copia número Estado Fecha de vencimiento Código de barras
Libros Biblioteca Francisco Xavier Clavigero Acervo Acervo General PN 1995.9.I57 S33.2014 (Navegar estantería(Abre debajo)) ej. 1 Disponible UIA225417

Incluye referencias bibliográficas e índice

Increasingly resistant to lessons on international politics, society often turns to television and film to engage the subject. Numerous movies made in the twentieth and twenty-first centuries reflect political themes that were of concern within the popular cultures of their times. For example, Norman Jewison's The Russians Are Coming! The Russians Are Coming! (1966) portrays the culture of suspicion between the United States and the Soviet Union during the Cold War, while several of Alfred Hitchcock's movies as well as the John Wayne film Big Jim McLain (1952) and John Milius's Red Dawn (1984)