000 | 01547cam-a2200349-a-4500 | ||
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001 | 000479233 | ||
003 | OCoLC | ||
005 | 20240105144518.0 | ||
008 | 050824s2002 ctu rb 001 0 eng d | ||
010 | _a2002067826 | ||
020 | _a0313323739 (alk. paper) | ||
035 | _a309230 | ||
040 |
_aDLC _bspa _cDLC _dUIASF |
||
050 | 4 |
_aPN 1992.6 _bB656.2002 |
|
082 | 0 | 0 |
_a302.23/45 _221 |
100 | _aBooker, M. Keith | ||
245 | 1 | 0 |
_aStrange TV : _binnovative television series from the Twilight zone to the X-files / _cM. Keith Booker. |
246 | 3 | _aStrange television | |
260 |
_aWestport, Conn. : _bGreenwood Press, _c2002. |
||
300 |
_a187 p. ; _c24 cm. |
||
440 | 0 |
_aContributions to the study of popular culture ; _vno. 77 |
|
504 | _aIncluye referencias bibliográficas (p. [173]-182) e índice. | ||
505 | 0 | _aIntroduction. Television and the novel -- Television and postmodernism -- The twilight zone and American society in the long 1950s : between the modern and the postmodern -- The prisoner : the modern, the postmodern, and French poststructuralism in the 1960s -- Strange Reaganism : ludic postmodernism as Cold War allegory in Twin peaks -- It's the libidinal economy, stupid : The X-files and the politics of postmodern desire -- Conclusion. Television, capitalism, and postmodernism. | |
650 | 4 |
_aTelevisión - _xEmisión - _xAspectos sociales. |
|
942 | 1 | _cNEWBFXC1 | |
950 | 0 | _xSocial aspects. | |
049 | _aUIAA | ||
905 | _a01 | ||
999 |
_c449915 _d449915 |
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980 |
_851 _gRonald RUIZ |