000 | 01990cam a22004094a 4500 | ||
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001 | 000509347 | ||
003 | OCoLC | ||
005 | 20240105144823.0 | ||
008 | 060627s2004 nyua b 001 0 eng d | ||
010 | _a 2003053821 | ||
020 | _a1890951455 (cloth) | ||
035 | _a317765 | ||
040 |
_aDLC _bspa _cDLC _dUIASF |
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041 | 1 |
_aeng _hger |
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050 | 4 |
_aN 5303 _bR513.2004 |
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082 | 0 | 0 |
_a709 _221 |
084 |
_a20.02 _2bcl |
||
100 | 1 |
_aRiegl, Alois, _d1858-1905 |
|
240 | 1 | 0 |
_aHistorische Grammatik der bildenden Künste. _g[Título original]. _lInglés. |
245 | 1 | 0 |
_aHistorical grammar of the visual arts / _cAlois Riegl ; translated by Jacqueline E. Jung ; foreword by Benjamin Binstock. |
260 |
_aNew York : _bZone Books, _c2004. |
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300 |
_a495 p. : _bil. ; _c24 cm. |
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504 | _aIncluye referencias bibliográficas (p. 435-444) e índice. | ||
505 | 0 | _aAloïs Riegl, monumental ruin : why we still need to read Historical grammar of the visual arts / Benjamin Binstock - Übersetzungsfragen : form, communication, and questions of translating Riegl / Jacqueline E. Jung -- First version. Book manuscript of 1897-1898. First period : art as improvement of nature through physical beauty -- Second period : art as improvement of nature through spiritual beauty -- Third period : art as reproduction of transitory nature -- Purpose -- Motifs -- Form and surface -- Draft of the missing conclusion -- Second version. Lecture notes of 1899. First period : antique anthropomorphic polytheism to the Third Century C.E. -- Second period : Christian monotheism, 313-1520 -- Third period : natural-scientific worldview -- Motifs and purposes -- Form and surface. | |
650 | 0 |
_aArt _xHistory. |
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650 | 4 |
_aArte _xHistoria. |
|
650 | 0 |
_aArt _xPhilosophy. |
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650 | 4 |
_aArte _xFilosofía. |
|
700 | 1 | _aJung, Jacqueline E. | |
700 | 1 | _aBinstock, Benjamin. | |
049 | _aUIAA | ||
905 | _a01 | ||
942 | 1 | _cNEWBFXC1 | |
999 |
_c479500 _d479500 |
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980 |
_851 _gRonald RUIZ |