000 03588cam a2200445 i 4500
001 000572778
005 20240105151139.0
008 120620t20092009nyuao rb 001 0deng
010 _a2008051216
020 _a9781597110952 (flexibind : alk. paper)
020 _a1597110957 (flexibind : alk. paper)
035 _a374574
035 _a374729
035 _a374730
040 _aDLC
_bspa
_cDLC
_erda
_dUIASF
050 4 _aTR 185
_bG44.2009
100 1 _aGefter, Philip
_eautor
245 1 0 _aPhotography after Frank /
_cessays by Philip Gefter.
250 _aFirst edition.
260 _aNew York :
_bAperture :
_bD.A.P./Distributed Art Publishers [distributor],
_c2009, ©2009.
300 _a223 p. :
_bilustaciones, fotografías algunas a color ;
_c23 cm
336 _acontent
_2rdacontent
337 _asin medio
_2rdamedia
338 _avolumen
_2rdacarrier
505 0 _aWhy MoMA is giving its largest solo photography exhibition ever to Lee Friedlander -- Travels with Walker, Robert, and Andy. On Stephen Shore -- Southern exposures: past and present through the lens of William Christenberry -- John Szarkowski, curator of photography, dies at eighty-one -- Imagist's eye. On Henry Wessel -- Beauty is not a four-letter word. On Richard Misrach -- Tableau inside your town hall. On Paul Shambroom -- Bernd Becher, photographer of German industrial landscape, dies -- Keeping it real: photo-realism -- Portraits of American paradises, mostly lost. On Joel Sternfeld -- Keeping his eye on the horizon (line). On Sze Tsung Leong -- Photographic icons: fact, fiction or metaphor? -- Picnic that never was. On Beate Gutschow -- As unpretty as a picture. On Eric Fischl -- Moments in time, yet somehow in motion. On JoAnn Verburg -- Robert Polidori: in the studio -- Young man with an eye, and friends up a tree. On Ryan McGinley -- Page one: a conversation with Philip Gefter, picture editor of the New York times' front page / by Veronique Vienne -- History's first draft looks much better with pictures -- Reflections of New York's luckiest: Look magazine -- Reading newspaper pictures: a thousand words, and then some -- Cornell Capa, photojournalist and museum founder, dies at ninety -- Defining beauty through Avedon -- Self-portrait as obscure object of desire. On Jack Pierson -- Is that portrait staring at me? On Fiona Tan -- Pantheon of arts and letters in light and shadow. On Irving Penn -- Photographer's lie. On Annie Leibovitz -- Embalming the American dreamer. On Katy Grannan -- What eight-five hundred pictures are worth -- The man who made Mapplethorpe: a film about Sam Wagstaff -- The Avedon eye, trained on faces captured by others -- Photography reveals itself between covers -- Culture in context: photographs in Vince Aletti's magazine collection -- For photography, extreme home makeover -- Theater of the street, the subject of the photograph. On Philip-Lorca diCorcia -- Why photography has supersized itself -- A thousand words? How about 450,000? -- From a studio in Arkansas, a portrait of America. On Mike Disfarmer -- What's new in photography: anything but photos.
500 _aIncluye índice.
650 0 _aPhotography
_xHistory
_y20th century.
650 4 _aFotografía -
_xHistoria -
_ySiglo XX
650 0 _aPhotographic criticism.
650 4 _aFotografía crítica
650 0 _aPhotographers
_vBiography.
650 4 _aFotógrafos -
_vBiografía
600 1 0 _aFrank, Robert,
_d1924-
600 1 4 _aFrank, Robert
_d1924-
905 _a01
942 _cNEWBFXC1
999 _c540945
_d540945
980 _851
_gRonald RUIZ