| 000 | 01642nam a2200505 i 4500 | ||
|---|---|---|---|
| 001 | 000682426 | ||
| 005 | 20241013232524.0 | ||
| 008 | 160708t20142014be a rb 001 0 eng d | ||
| 010 | _a2015506897 | ||
| 020 | _a9789052010359 | ||
| 020 | _a9052010358 | ||
| 020 | _z9783035265262 | ||
| 035 | _a412239 | ||
| 040 |
_aBTCTA _bspa _erda _cBTCTA _dUIASF |
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| 050 | 4 |
_aPN 1995 _bD24.2014 |
|
| 100 | 1 |
_aDagrada, Elena, _eautor |
|
| 245 | 1 | 0 |
_aBetween the eye and the world : _bthe emergence of the point-of-view shot / _cElena Dagrada. |
| 246 | 1 | 0 | _aEmergence of the point-of-view shot |
| 264 | 1 |
_aBruxelles, Belgique : _bP.I.E. Peter Lang, _c[2014], |
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| 264 | 4 | _c©2014. | |
| 300 |
_a242 páginas : _bilustraciones ; _c23 cm. |
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| 336 |
_atexto _btxt _2rdacontent |
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| 337 |
_asin mediación _bn _2rdamedia |
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| 338 |
_avolumen _bnc _2rdacarrier |
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| 490 | 1 |
_aRethinking Cinema _x1379-8391 _vNo. 6 |
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| 504 | _aIncluye referencias bibliográficas (páginas 221-232) e índice. | ||
| 650 | 0 | _aSubjectivity in motion pictures | |
| 650 | 4 | _aSubjectividad en cinematografía | |
| 650 | 0 |
_aMotion pictures _xPhilosophy |
|
| 650 | 4 |
_aCinematografía _xFilosofía |
|
| 650 | 0 |
_aMotion pictures _xAesthetics |
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| 650 | 4 |
_aCinematografía _xEstética |
|
| 650 | 0 |
_aMotion pictures _xHistory |
|
| 650 | 4 |
_aCinematografía _xHistoria |
|
| 650 | 0 | _aCinematography | |
| 650 | 4 | _aCinematografía | |
| 830 | 0 |
_aRepenser le cinéma ; _vno 6. _x1379-8391 |
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| 905 | _a01 | ||
| 942 | 1 | _cNEWBFXC1 | |
| 999 |
_c638210 _d638210 |
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| 980 |
_8126340 _g ADMIN1 |
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| 003 | MX-MxUI | ||