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008 160817t20152015nyu rb 001 0 eng d
010 _a 2014040997
035 _a413326
040 _aDLC
_bspa
_erda
_cDLC
_dUIASF
050 4 _aPN 1992.7
_bM58.2015
100 1 _aMittell, Jason
_eautor
245 1 0 _aComplex TV :
_bthe poetics of contemporary television storytelling /
_cJason Mittell.
264 1 _aNew York :
_bNew York University Press,
_c[2015],
264 4 _c©2015.
300 _ax, 390 páginas ;
_c24 cm
336 _atexto
_btxt
_2rdacontent
337 _asin mediación
_bn
_2rdamedia
338 _avolumen
_bnc
_2rdacarrier
504 _aIncluye referencias bibliográficas e índice.
505 0 _aComplexity in context -- Beginnings -- Authorship -- Characters -- Comprehension -- Evaluation -- Serial melodrama -- Orienting paratexts -- Transmedia storytelling -- Ends.
520 _aOver the past two decades, new technologies, changing viewer practices, and the proliferation of genres and channels has transformed American television. One of the most notable impacts of these shifts is the emergence of highly complex and elaborate forms of serial narrative, resulting in a robust period of formal experimentation and risky programming rarely seen in a medium that is typically viewed as formulaic and convention bound. Complex TV offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Through close analyses of key programs, including The Wire, Lost, Breaking Bad, The Sopranos, Veronica Mars, Curb Your Enthusiasm, and Mad Men the book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation. Developing a television-specific set of narrative theories, Complex TV argues that television is the most vital and important storytelling medium of our time.
650 0 _aTelevision authorship.
650 4 _aAutoría en televisión
905 _a01
942 1 _cNEWBFXC1
999 _c639865
_d639865
980 _851
_gRonald RUIZ