000			02335nam a2200457 i 4500
001			000684235
003			OCoLC
005			20240105152742.0
008			160819s2009 nyuag rb 001 0 eng d
010			_a 2008054795
035			_a413346
040			_aDLC _bspa _erda _cDLC _dUIASF
041	1		_aeng _hfre
050		4	_aPN 1995.7 _bC4513.2009
100	1		_aChion, Michel, _d1947- _eautor
240	1	0	_aArt sonore, le cinema. _lInglés
245	1	0	_aFilm, a sound art / _cMichel Chion ; translated by Claudia Gorbman.
264			_aNew York : _bColumbia University Press, _c[2009],
264		4	_c©2009.
300			_axii, 536 páginas : _bilustraciones, música ; _c25 cm.
336			_atexto _btxt _2rdacontent
337			_asin mediación _bn _2rdamedia
338			_avolumen _bnc _2rdacarrier
490	1		_aFilm and culture
504			_aIncluye referencias bibliográficas e índice.
505	0		_aHistory. When film was deaf (1895-1927) -- Chaplin: three steps into speech -- Birth of the talkies or of sound film? (1927-1935) -- Jean Vigo: the material and the ideal -- The ascendancy of king text (1935-1950) -- Babel -- The time it takes for time to "harden" (1950-1975) -- The return of the sensorial (1975-1990) -- The silence of the loudspeakers (1990-2003) -- On a sequence from The birds: sound film as palimpsestic art -- Aesthetics and poetics. Jacques Tati: the cow and the moo -- The disappointed fairies around the cradle -- The separation -- The real and the rendered -- The three borders -- Audiovisual phrasing -- Alfred Hitchcock: seeing and hearing -- The twelve ears -- Orson Welles: the voice and the house -- The talking machine -- Faces and speech -- Andrei Tarkovsky: language and the world -- The five powers -- God is a disc jockey -- Max Ophuls: music, noise, and speech -- Like tears in rain.
650		0	_aSound motion pictures.
650		4	_aCinematografía sonora
650		0	_aMotion pictures _xSound effects.
650		4	_aCinematografía _xEfectos de sonido
650		0	_aMotion pictures _xAesthetics.
650		4	_aCinematografía _xEstética
830		0	_aFilm and culture.
905			_a01
942		1	_cNEWBFXC1
999			_c640018 _d640018
980			_851 _gRonald RUIZ