000 | 02622nam a2200433 a 4500 | ||
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001 | 000684237 | ||
003 | OCoLC | ||
005 | 20240105152742.0 | ||
008 | 160819s2014 nyua rb 001 0 eng d | ||
020 | _a9780415754439 | ||
020 | _a0415754437 | ||
035 | _a413344 | ||
035 | _a429598 | ||
040 |
_aCULIB _bspa _erda _cCULIB _dUIASF |
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050 | 4 |
_aPN 1995 _bB38.2014 |
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100 | 1 |
_aBateman, John A _eautor |
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245 | 1 | 0 |
_aMultimodal film analysis : _bhow films mean / _cJohn A. Bateman and Karl-Heinrich Schmidt. |
250 | _aFirst issued in paperback. | ||
264 | 1 |
_aNew York : _bRoutledge, _c2014, 2012. |
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264 | 4 | _c©2012. | |
300 |
_aviii, 330 páginas : _bilustraciones ; _c23 cm. |
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336 |
_atexto _btxt _2rdacontent |
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337 |
_asin mediación _bn _2rdamedia |
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338 |
_avolumen _bnc _2rdacarrier |
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490 | 1 |
_aRoutledge studies in multimodality _v5 |
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504 | _aIncluye referencias bibliográficas e índice. | ||
505 | 0 | _aAnalysing film. Distinguishing the filmic contribution to meaning -- Examples of filmic "textual organisation" -- Redrawing boundaries -- Organisation of the book -- Semiotics and documents. Semiotics and its relations to film -- The nature of discourse semantics -- The film as cinematographic document -- A combined view: filmic documents for filmic discourse -- Constructing the semiotic mode of film. Semiotic multimodality -- The internal organisation of semiotic strata -- Composing and combining semiotic modes -- Materiality and "epistemological commitment" -- Christian Metz and the grande syntagmatique of the image track. The original model -- Two examples of analysis with the grande syntagmatique -- Revisions and rebuttals -- Foundations for analysis: filmic units. The basic units of film: preliminaries -- Audiovisual iconic representations -- Perception, perceptual realism and reliable measurement -- Multiplicity: from perception to discourse -- Filmic units revisited: discourse-motivated definitions -- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique -- Capturing discourse dependency structures in film -- The paradigmatic dimensions of projection, taxis and plane -- Two examples of paradigmatic analysis -- Summary and conclusions. | |
650 | 0 |
_aMotion pictures _xPhilosophy. |
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650 | 4 |
_aCinematografía _xFilosofía |
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650 | 0 |
_aMotion pictures _xSemiotics. |
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650 | 4 |
_aCinematografía _xSemiótica |
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700 | 1 |
_aSchmidt, Karl-Heinrich _eautor |
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830 | 0 |
_aRoutledge studies in multimodality ; _v5. |
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905 | _a01 | ||
942 | 1 | _cNEWBFXC1 | |
999 |
_c640020 _d640020 |
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980 |
_851 _gRonald RUIZ |