| 000 | 02622nam a2200433 a 4500 | ||
|---|---|---|---|
| 001 | 000684237 | ||
| 003 | OCoLC | ||
| 005 | 20240105152742.0 | ||
| 008 | 160819s2014 nyua rb 001 0 eng d | ||
| 020 | _a9780415754439 | ||
| 020 | _a0415754437 | ||
| 035 | _a413344 | ||
| 035 | _a429598 | ||
| 040 |
_aCULIB _bspa _erda _cCULIB _dUIASF |
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| 050 | 4 |
_aPN 1995 _bB38.2014 |
|
| 100 | 1 |
_aBateman, John A _eautor |
|
| 245 | 1 | 0 |
_aMultimodal film analysis : _bhow films mean / _cJohn A. Bateman and Karl-Heinrich Schmidt. |
| 250 | _aFirst issued in paperback. | ||
| 264 | 1 |
_aNew York : _bRoutledge, _c2014, 2012. |
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| 264 | 4 | _c©2012. | |
| 300 |
_aviii, 330 páginas : _bilustraciones ; _c23 cm. |
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| 336 |
_atexto _btxt _2rdacontent |
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| 337 |
_asin mediación _bn _2rdamedia |
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| 338 |
_avolumen _bnc _2rdacarrier |
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| 490 | 1 |
_aRoutledge studies in multimodality _v5 |
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| 504 | _aIncluye referencias bibliográficas e índice. | ||
| 505 | 0 | _aAnalysing film. Distinguishing the filmic contribution to meaning -- Examples of filmic "textual organisation" -- Redrawing boundaries -- Organisation of the book -- Semiotics and documents. Semiotics and its relations to film -- The nature of discourse semantics -- The film as cinematographic document -- A combined view: filmic documents for filmic discourse -- Constructing the semiotic mode of film. Semiotic multimodality -- The internal organisation of semiotic strata -- Composing and combining semiotic modes -- Materiality and "epistemological commitment" -- Christian Metz and the grande syntagmatique of the image track. The original model -- Two examples of analysis with the grande syntagmatique -- Revisions and rebuttals -- Foundations for analysis: filmic units. The basic units of film: preliminaries -- Audiovisual iconic representations -- Perception, perceptual realism and reliable measurement -- Multiplicity: from perception to discourse -- Filmic units revisited: discourse-motivated definitions -- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique -- Capturing discourse dependency structures in film -- The paradigmatic dimensions of projection, taxis and plane -- Two examples of paradigmatic analysis -- Summary and conclusions. | |
| 650 | 0 |
_aMotion pictures _xPhilosophy. |
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| 650 | 4 |
_aCinematografía _xFilosofía |
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| 650 | 0 |
_aMotion pictures _xSemiotics. |
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| 650 | 4 |
_aCinematografía _xSemiótica |
|
| 700 | 1 |
_aSchmidt, Karl-Heinrich _eautor |
|
| 830 | 0 |
_aRoutledge studies in multimodality ; _v5. |
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| 905 | _a01 | ||
| 942 | 1 | _cNEWBFXC1 | |
| 999 |
_c640020 _d640020 |
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| 980 |
_851 _gRonald RUIZ |
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