000 | 01969nam a2200433 i 4500 | ||
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001 | 000692930 | ||
003 | OCoLC | ||
005 | 20240105153000.0 | ||
008 | 141215t20132013cc a r 001 0 eng d | ||
020 | _a9789881943989 | ||
020 | _a9881943981 | ||
035 | _a419422 | ||
040 |
_aDKDLA _bdan _cDKDLA _dOCLCO _dOCLCF _dOCL |
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050 | 4 |
_aN 6494.I56 _bO94.2013 |
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245 | 0 | 0 |
_aOver s!ze : _bThe mega art & installations. |
246 | 1 | 0 | _aOver size |
264 | 1 |
_aHong Kong : _bViction:ary, _c2013, |
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264 | 4 | _c©2013 | |
300 |
_a215 páginas : _bilustraciones a color ; _c32 cm |
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336 |
_atexto _btxt _2rdacontent |
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336 |
_aimagen fija _bsti _2rdacontent |
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337 |
_asin mediación _bn _2rdamedia |
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338 |
_avolumen _bnc _2rdacarrier |
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520 | 8 | _aSize intrigues when it appears atypical. The greater the distinction, the stronger the magnetism, forcing us to hold our eyes on to that something to assimilate the particulars, make sense of it and have it lodged in our minds. Profiling 40 artists known for their monumental sculptures and installations put up around the world, OVERS!ZE investigates how size functions as a delightful tool to make a statement, break the routine or shrink us - taking us back to a time where everything else was much larger than us. In the INTERVIEW section, we speak to some of the world's most active big thinkers, such as Kurt Perschke (US), Inges Idee (DE), Max Streicher (CA) and Florentijn Hofman (NE) to find out how they perceive space, public space and the merits of scaling up art. | |
650 | 0 | _aPublic art. | |
650 | 4 | _aArte público | |
650 | 0 | _aPublic sculpture. | |
650 | 4 | _aEscultura pública | |
650 | 0 | _aInstallations (Art) | |
650 | 4 | _aInstalación (Arte) | |
650 | 0 |
_aArt, Modern _y21st century. |
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650 | 4 |
_aArte moderno _ySiglo XXI |
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710 | 2 |
_aViction:workshop _eentidad editora |
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905 | _a01 | ||
942 | 1 | _cNEWBFXC1 | |
999 |
_c648642 _d648642 |
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980 |
_851 _gRonald RUIZ |