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_aUKMGB _bspa _erda _cUKMGB _dUIASF |
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050 | 4 |
_aN 7480 _bB66.2013 |
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245 | 0 | 4 |
_aThe books that shaped art history : _bfrom Gombrich and Greenberg to Alpers and Krauss / _cedited by Richard Shone and John-Paul Stonard. |
246 | 1 | 0 | _aFrom Gombrich and Greenberg to Alpers and Krauss |
250 | _aFirst published in the United Kingdom in 2013, reprinted 2013. | ||
264 | 1 |
_aLondon ; _aNew York : _bThames & Hudson, _c2013, 2013, |
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264 | 4 | _c©2013 | |
300 |
_a264 páginas : _bilustraciones, fotografías blanco y negro, retratos blanco y negro ; _c25 cm |
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336 |
_atexto _btxt _2rdacontent |
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337 |
_asin mediación _bn _2rdamedia |
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338 |
_avolumen _bnc _2rdacarrier |
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504 | _aIncluye referencias bibliográficas (páginas [216]-257) e índice. | ||
505 | 0 | 0 |
_rEmile Mâle. _tL'art religieux du XIIIe siècle en France: étude sur l'iconographie du Moyen Age et sur ses sources d'inspiration, _g1898 / _rAlexandra Gajewski -- _rBernard Berenson. _tThe drawings of the Florentine painters classified, criticised and studied as documents in the history and appreciation of Tuscan art, with a copious catalogue raisonné, _g1903 / _rCarmen C. Bambach -- _rHeinrich Wölfflin. _tKunstgeschichtliche Grundbegriffe: das Problem der Stilentwicklung in der neueren Kunst, _g1915 / _rDavid Summers -- _rRoger Fry. _tCézanne: a study of his development, _g1927 / _rRichard Verdi -- _rNikolaus Pevsner. _tPioneers of the Modern movement from William Morris to Walter Gropius, _g1936 / _rColin Amery -- _rAlfred H. Barr, Jr. _tMatisse: his art and his public, _g1951 / _rJohn Elderfield -- _rErwin Panofsky. _tEarly Netherlandish painting: its origins and character, _g1953 / _rSusie Nash -- _rKenneth Clark. _tThe nude: a study of ideal art, _g1956 / _rJohn-Paul Stonard -- _rE.H. Gombrich. _tArt and illusion: a study in the psychology of pictorial representation, _g1960 / _rChristopher S. Wood -- _rClement Greenberg. _tArt and culture: critical essays, _g1961 / _rBoris Groys -- _rFrancis Haskell. _tPatrons and painters: a study in the relations between Italian art and society in the age of the baroque, _g1963 / _rLouise Rice -- _rMichael Baxandall. _tPainting and experience in fifteenth century Italy: a primer in the social history of pictorial style, _g1972 / _rPaul Hills -- _rT.J. Clark. _tImage of the people: Gustave Courbet and the 1848 revolution, _g1973 / _rAlastair Wright -- _rSvetlana Alpers. _tThe art of describing: Dutch art in the seventeenth century, _g1983 / _rMariët Westermann -- _rRosalind Krauss. _tThe originality of the avant garde and other Modernist myths, _g1985 / _rAnna Lovatt -- _rHans Belting. _tBild und Kult: eine Geschichte des Bildes vor dem Zeitalter der Kunst, _g1990 / _rJeffrey Hamburger. |
520 | _a"Which were the books that shaped art history as it developed in the twentieth century? This pioneering volume is a concise and brilliant study of the discipline of Art History and an invaluable resource for students, teachers, bibliophiles and all those interested in visual culture. It provides an invaluable roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter, focusing on a single title, is written by a leading art historian, curator or one of the promising scholars of today, presenting a varied and invaluable overview of the history of art, told through its seminal texts. The sixteen books include Nikolaus Pevsner's gospel of Modernism, Pioneers of the Modern Movement, Alfred Barr's now legendary monograph on Matisse, E.H. Gombrich's Art and Illusion, Clement Greenberg's Art and Culture, which had a seismic impact when it was published in 1961, and Rosalind Krauss's The Originality of the Avant-Garde and Other Modernist Myths, which introduced structuralist and poststructuralist thinking into art historical study. Each chapter - with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi - analyses a single major book, setting out its premises and argument and mapping the intellectual development of its author, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy. An introduction by John-Paul Stonard explores how art history has been forged by these outstanding contributions, as well as by the dialogues and ruptures between them. Supplementary documentation summarises the achievements of each art historian and provides a detailed publication history of their texts, with suggestions for further reading." -- Publisher's description. | ||
650 | 0 |
_aArt _xHistoriography. |
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650 | 4 |
_aArte _xHistoriografía |
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650 | 0 |
_aArt _xHistory. |
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650 | 4 |
_aArte _xHistoria |
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650 | 0 |
_aArt historians _vBiography. |
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650 | 4 |
_aHistoriadores de arte _vBiografía |
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700 | 1 |
_aShone, Richard _d1949- _eeditor |
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700 | 1 |
_aStonard, John-Paul _d1973- _eeditor |
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905 | _a01 | ||
942 | 1 | _cNEWBFXC1 | |
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_851 _gRonald RUIZ |