000			02155nam a2200361 i 4500
001			000705575
005			20240105153220.0
008			180129t20172017xxcafo rb 001 0 eng d
010			_a2014001071
020			_a9781771621526
020			_a9781771621533
035			_a424937
040			_aUIASF _bspa _erda _cUIASF _dUIASF
050		4	_aN 8600 _bT46.2017
100	1		_aThompson, Don _eautor
245	1	4	_aThe orange balloon dog : _bbubbles, turmoil and avarice in the contemporary art market / _cThompson Don.
246	1	0	_aBubbles, turmoil and avarice in the contemporary art market
264		1	_aMadeira Park, BC ; _bDouglas & McIntyre, _c2017,
264		4	_c©2017
300			_a239 páginas [8] páginas de láminas : _bilustraciones, fotografías color ; _c23 cm
336			_atexto _btxt _2rdacontent
337			_asin mediación _bn _2rdamedia
338			_avolumen _bnc _2rdacarrier
504			_aIncluye referencias bibliográficas e índice.
520			_a"Within forty-eight hours in the fall of 2014, buyers in the Sotheby's and Christie's New York auction houses spent 1.7 billion on contemporary art. Non-taxed freeport warehouses around the globe are stacked with art held for speculation. One of Jeff Koons' five chromium-plated stainless steel balloon dogs sold for 50 percent more at auction than the previous record for any living artist. A painting by Christopher Wool, featuring four lines from a Francis Ford Coppola movie stencilled in black on a white background, sold for 28 million. In The Orange Balloon Dog, economist and bestselling author Don Thompson cites these and other fascinating examples to explore the sometimes baffling activities of the high-end contemporary art market. He analyzes what is at play in the exchange of vast amounts of money and what nudges buyers, even on the subconscious level, to imbue a creation with such high commercial value."-- _cproporcionado por el editor
650		4	_aArte _xAspectos económicos
650		4	_aArte moderno _xAspectos económicos _ySiglo XXI -
905			_a01
942		1	_cNEWBFXC1
999			_c661192 _d661192
980			_851 _gRonald RUIZ