000 | 01571nam a2200385 i 4500 | ||
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001 | 000708709 | ||
003 | OCoLC | ||
005 | 20240105153343.0 | ||
008 | 180509t20162016enka b 001 0 eng d | ||
010 | _a 2015944485 | ||
020 | _a9780199658442 | ||
020 | _a0199658447 | ||
035 | _a427613 | ||
040 |
_aNLE _bspa _erda _cDLC _dUIASF |
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050 | 4 |
_aBH 39 _bN26.2016 |
|
100 | 1 |
_aNanay, Bence _eautor |
|
245 | 1 | 0 |
_aAesthetics as philosophy of perception / _cBence Nanay. |
250 | _aFirst edition. | ||
264 | 1 |
_aOxford, United Kingdom : _bOxford University Press, _c2016, |
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264 | 4 | _c©2016 | |
300 |
_ax, 214 páginas : _bilustraciones ; _c22 cm |
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336 |
_atexto _btxt _2rdacontent |
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337 |
_asin mediación _bn _2rdamedia |
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338 |
_avolumen _bnc _2rdacarrier |
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504 | _aIncluye referencias bibliográficas e índice. | ||
505 | 0 | _aAesthetics -- Distributed attention -- Pictures -- Aesthetically relevant properties -- Semi-formalism -- Uniqueness -- The history of vision -- Non-distributed attention. | |
520 | _aBence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and experience. He focuses on the ways in which the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics. | ||
650 | 0 | _aAesthetics | |
650 | 4 | _aEstética | |
905 | _a01 | ||
942 | 1 | _cNEWBFXC1 | |
999 |
_c664318 _d664318 |
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980 |
_851 _gRonald RUIZ |