000 03442nam a2200529 i 4500
001 000718899
003 OCoLC
005 20240105153606.0
008 190610t20172014nyua rb 001 0 eng d
020 _a9781138706170
020 _a9781472410221
035 _a441842
040 _aZWZ
_bspa
_erda
_cZWZ
_dUIASF
050 4 _aCC 135
_bC76.2017
245 0 0 _aCrowdsourcing our cultural heritage /
_cedited by Mia Ridge.
250 _aFirst issued in paperback 2017.
264 1 _aNew York :
_bRoutledge Taylor & Francis Group,
_c2017,
264 4 _c©2014
300 _axxii, 283 páginas :
_bgráficas ;
_c24 cm.
336 _atexto
_btxt
_2rdacontent
337 _asin mediación
_bn
_2rdamedia
338 _avolumen
_bnc
_2rdacarrier
490 1 _aDigital research in the arts and humanities
504 _aIncluye referencias bibliográficas e índice.
520 8 _aCrowdsourcing, or asking the general public to help contribute to shared goals, is increasingly popular in memory institutions as a tool for digitising or computing vast amounts of data. This book brings together for the first time the collected wisdom of international leaders in the theory and practice of crowdsourcing in cultural heritage. It features eight accessible case studies of groundbreaking projects from leading cultural heritage and academic institutions, and four thought-provoking essays that reflect on the wider implications of this engagement for participants and on the institutions themselves. Crowdsourcing in cultural heritage is more than a framework for creating content: as a form of mutually beneficial engagement with the collections and research of museums, libraries, archives and academia, it benefits both audiences and institutions. However, successful crowdsourcing projects reflect a commitment to developing effective interface and technical designs. This book will help practitioners who wish to create their own crowdsourcing projects understand how other institutions devised the right combination of source material and the tasks for their 'crowd'. The authors provide theoretically informed, actionable insights on crowdsourcing in cultural heritage, outlining the context in which their projects were created, the challenges and opportunities that informed decisions during implementation, and reflecting on the results. This book will be essential reading for information and cultural management professionals, students and researchers in universities, corporate, public or academic libraries, museums and archives
650 0 _aCultural property
_xPhilosophy.
650 4 _aPatrimonio cultural
_xFilosofía
650 0 _aHuman computation.
650 4 _aComputación basada en humanos
650 0 _aMedios digitales
_xSocial aspects.
650 4 _aMedios digitales
_xAspectos sociales
650 0 _aMuseums
_xCollection management.
650 4 _aMuseos
_xAdministración de colecciones
650 0 _aCollection management (Libraries)
650 4 _aAdministración de colecciones (Bibliotecas)
650 0 _aLibrary materials
_xDigitization.
650 4 _aMateriales de biblioteca.
_xDigitalización
650 0 _aArchival materials
_xDigitzation.
650 4 _aMateriales de archivo
_xDigitalización
700 1 _aRidge, Mia.
_eeditor
830 0 _aDigital research in the arts and humanities.
905 _a01
942 1 _cNEWBFXC1
999 _c674473
_d674473
980 _851
_gRonald RUIZ