000			02104nam a2200457 i 4500
001			000719638
003			OCoLC
005			20240105153628.0
008			190712r20192003mnu rb 001 0 eng d
010			_a 2003013280
020			_a0816643415
020			_a9780816643417
020			_a9780816643424
020			_a0816643423
035			_a442335
040			_aDLC _bspa _erda _cDLC _dUIASF
041	1		_aeng _hfre
050		4	_aND 497.B16 _bD4513.2019
100	1		_aDeleuze, Gilles, _d1925-1995 _eautor
240	1	0	_aFrancis Bacon. _lInglés
245	1	0	_aFrancis Bacon : _bthe logic of sensation / _cGilles Deleuze ; translated and with an introduction by Daniel W. Smith ; afterword by Tom Conley.
250			_a[Reimpresión].
264		1	_aMinneapolis : _bUniversity of Minnesota Press, _c2019, 2003
300			_axxxiii, 183 páginas ; _c23 cm
336			_atexto _btxt _2rdacontent
337			_asin mediación _bn _2rdamedia
338			_avolumen _bnc _2rdacarrier
504			_aIncluye referencias bibliográficas e índice.
520	1		_aFirst published in French in 1981, Francis Bacon has come to be recognized as one of Gilles Deleuze's most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon's paintings but also as a crucial text within Deleuze's broader philosophy of art. In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon's paintings but at the same time finds a place in the "general logic of sensation.
600	1	0	_aBacon, Francis, _d1909-1992 _xCriticism and interpretation
600	1	4	_aBacon, Francis, _d1909-1992 _xCrítica e interpretación
650		0	_aFigurative expressionism _zEngland
650		4	_aExpresionismo figurativo _zInglaterra
700	1		_aSmith, Daniel W. _etraductor _eautor de contenido textual suplementario
700	1		_aConley, Tom _eautor de contenido textual suplementario
905			_a01
942		1	_cNEWBFXC1
999			_c675211 _d675211
980			_851 _gRonald RUIZ