000 | 02104nam a2200457 i 4500 | ||
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001 | 000719638 | ||
003 | OCoLC | ||
005 | 20240105153628.0 | ||
008 | 190712r20192003mnu rb 001 0 eng d | ||
010 | _a 2003013280 | ||
020 | _a0816643415 | ||
020 | _a9780816643417 | ||
020 | _a9780816643424 | ||
020 | _a0816643423 | ||
035 | _a442335 | ||
040 |
_aDLC _bspa _erda _cDLC _dUIASF |
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041 | 1 |
_aeng _hfre |
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050 | 4 |
_aND 497.B16 _bD4513.2019 |
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100 | 1 |
_aDeleuze, Gilles, _d1925-1995 _eautor |
|
240 | 1 | 0 |
_aFrancis Bacon. _lInglés |
245 | 1 | 0 |
_aFrancis Bacon : _bthe logic of sensation / _cGilles Deleuze ; translated and with an introduction by Daniel W. Smith ; afterword by Tom Conley. |
250 | _a[Reimpresión]. | ||
264 | 1 |
_aMinneapolis : _bUniversity of Minnesota Press, _c2019, 2003 |
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300 |
_axxxiii, 183 páginas ; _c23 cm |
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336 |
_atexto _btxt _2rdacontent |
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337 |
_asin mediación _bn _2rdamedia |
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338 |
_avolumen _bnc _2rdacarrier |
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504 | _aIncluye referencias bibliográficas e índice. | ||
520 | 1 | _aFirst published in French in 1981, Francis Bacon has come to be recognized as one of Gilles Deleuze's most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon's paintings but also as a crucial text within Deleuze's broader philosophy of art. In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon's paintings but at the same time finds a place in the "general logic of sensation. | |
600 | 1 | 0 |
_aBacon, Francis, _d1909-1992 _xCriticism and interpretation |
600 | 1 | 4 |
_aBacon, Francis, _d1909-1992 _xCrítica e interpretación |
650 | 0 |
_aFigurative expressionism _zEngland |
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650 | 4 |
_aExpresionismo figurativo _zInglaterra |
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700 | 1 |
_aSmith, Daniel W. _etraductor _eautor de contenido textual suplementario |
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700 | 1 |
_aConley, Tom _eautor de contenido textual suplementario |
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905 | _a01 | ||
942 | 1 | _cNEWBFXC1 | |
999 |
_c675211 _d675211 |
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980 |
_851 _gRonald RUIZ |