000			04060cam a22004698i 4500
001			702479
003			UIASF
005			20240105154103.0
008			220905t20222022flu|||||rb||| 001 0 eng d
010			_a2021027214
020			_a9781683402534
020			_a9781683403050
035			_a448377
040			_aFUG/DLC _bspa _erda _cDLC _dUIASF
050		4	_aPN 1993.5.M4 _bL58.2022
245	0	4	_aThe lost cinema of Mexico : _bfrom lucha libre to cine familiar and other churros / _cedited by Olivia Cosentino and Brian Price.
264		1	_aGainesville : _bUniversity of Florida Press, _c[2022],
264		4	_c©2022.
300			_a243 páginas : _bilustraciones en blanco y negro ; _c23 cm.
336			_atexto _btxt _2rdacontent
337			_asin mediación _bn _2rdamedia
338			_avolumen _bnc _2rdacarrier
490	1		_aReframing media, technology, and culture in Latin/o America
504			_aIncluye referencias bibliográficas e índice.
505	0	0	_tIntroduction: El Santo versus the Cineteca Nacional de México / _rOlivia Cosentino and Brian Price -- _tI Know It's Only Rock and Roll, But I Like It: Popular Music and the Advent of the Churro / _rBrian Price -- _tOn Virgins, Malinches, and "Chicas Modernas": The Star Power of Lorena Velázquez in Lucha Libre Cinema / _rDavid S. Dalton -- _tThe Mexican Superochero Moment: Countercultural Nations and Utopian Assemblages in Small Format / _rIván Eusebio Aguirre Darancou -- _tThe Mexican Chili Western and Crisis Masculinity / _rChristopher Conway -- _tBlackness and Racial Melodrama in 1970s Mexican Cinema / _rCarolyn Fornoff -- _tUn cine familiar: Recovering the 1980s Mexican Family Film / _rOlivia Cosentino -- _tFelipe Cazals: The Question of the Film Auteur in the Age of Cinematic Crisis / _rIgnacio M. Sánchez Prado -- _tFinding the Lost Cinema of Mexico: Critical Recovery, Rescue, and Reconceptualization / _rDolores Tierney.
520			_a"This volume challenges the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the nation's earlier Golden Age, examining the critical implications of discovering, uncovering, and recovering forgotten or ignored films"--Editorial.
520			_aThis largely unexamined era of film reveals shifts in Mexican culture, economics, and societal norms as state-sponsored revolutionary nationalism faltered. During this time, movies were widely embraced by the public as a way to make sense of the rapidly changing realities and values connected to Mexico's modernization. These essays shine a light on many genres that thrived in these decades: rock churros, campy luchador movies, countercultural superocheros, Black melodramas, family films, and chili westerns.Redefining a time usually seen as a cinematic "crisis," this volume offers a new model of the film auteur shaped by productive tension between highbrow aesthetics, industry shortages, and national audiences. It also traces connections from these Mexican films to Latinx, Latin American, and Hollywood cinema at large. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez"--Editorial.
650		0	_aMotion picture industry _zMexico _xHistory
650		4	_aIndustria cinematográfica _zMéxico _xHistoria _9192298
650		0	_aMotion pictures _zMexico _xHistory
650		4	_aPelículas cinematográficas _zMéxico _xHistoria
650		0	_aMotion pictures _xSocial aspects _zMexico
650		4	_aPelículas cinematográficas _xAspectos sociales _zMéxico
700	1		_aCosentino, Olivia _eeditor _9192299
700	1		_aPrice, Brian L., _d1975- _eeditor
776	0	8	_iVersión en línea: _tLost cinema of Mexico _b1. _dGainesville : University of Florida Press, 2022 _z9781683403210 _w(DLC) 2021027215
830		0	_aReframing Media, Technology, and Culture in Latin/o America.
942			_2lcc _cNEWBFXC1
980			_6128864 _aLAURA CAROLINA CARROUCHE SILVA _851 _gRonald RUIZ
999			_c702479 _d702479