000			02944nam a2200421 i 4500
001			715177
003			MX-MxUI
005			20240412114954.0
007			ta
008			240408t19891986txua||||r|||| 00| 0 spa d
020			_a0292776241
035			_aR095934
040			_aMX-MxUI _bspa _erda _cMX-MxUI _dMX-MxUI
041	1		_aeng _hger
050		4	_aPN 1995 _bT3713.1989
100	1		_aTarkovskiĭ, Andreĭ Arsenʹevich, _d1932-1986 _eautor _4aut _9202202
240	1	4	_aDie Versiegelte Zeit. _lInglés
245	1	0	_aSculpting in time : _breflections on the cinema / _cAndrey Tarkovsky ; translated from the Russian by Kitty Hunter-Blair.
250			_aFirst University of Texas Press Edition.
264		1	_aAustin, TX : _bUniversity of Texas Press, _c1989
264		4	_c©1986.
300			_a254 páginas : _bilustraciones en blanco y negro ; _c22 cm
336			_atexto _btxt _2rdacontent
337			_asin mediación _bn _2rdamedia
338			_avolumen _bnc _2rdacarrier
504			_aIncluye referencias bibliográficas
506			_aAbierta a los investigadores bajo las restricciones de la biblioteca
520			_aAndrey Tarkovsky, the genius of modern Russian cinema - hailed by Ingmar Bergman as "the most important director of our time"--Died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films - Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre - most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work. -- Cubierta trasera
540			_aQueda prohibida la reproducción de este material por cualquier medio
650		4	_aCine _9190923
700			_aHunter-Blair, Kitty _971262 _etraductor _4trl
942			_cNEWBAH2 _2lcc
980			_6134722 _aOSCAR SALYANO MARTINEZ _8128864 _gLAURA CAROLINA CARROUCHE SILVA
999			_c715177 _d715177