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Twentieth-century art of Latin America / Jacqueline Barnitz.

Por: Tipo de material: TextoTextoDetalles de publicación: Austin : University of Texas, 2002, 2001.Edición: 2nd printDescripción: 400 p. : il. (algunas col.), mapas ; 31 cmISBN:
  • 0292708572 (hardcover : alk. paper)
  • 0292708580 (paperback : alk. paper)
Tema(s): Clasificación LoC:
  • N 6502.5 B36.2002
Contenidos:
Modernismo and the break with academic art, 1890-1934 -- The avant-garde of the 1920s : cosmopolitan or national identity? -- Social, ideological, and nativist art : the 1930s, 1940s, and after -- Surrealism, wartime, and New World imagery, 1928-1964 -- Torres-García's constructive universalism and the abstract legacy -- New museums, the São Paulo Biennial, and abstract art -- Functionalism, integration of the arts, and the postwar architectural boom -- Geometric, optical, and kinetic art from the 1950s through the 1970s -- Concrete and neoconcrete art and their offshoots in the Brazilian context -- Neofiguration, representational art, pop, and environments : the 1960s and 1970s -- Graphic art, painting, and conceptualism as ideological tools -- Some trends of the 1980s.
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Existencias
Tipo de ítem Biblioteca actual Colección Signatura topográfica Copia número Estado Fecha de vencimiento Código de barras
Libros Biblioteca Francisco Xavier Clavigero Acervo Acervo General N 6502.5 B36.2002 (Navegar estantería(Abre debajo)) ej. 1 Disponible 299309
Libros Biblioteca Francisco Xavier Clavigero Acervo Acervo General N 6502.5 B36.2002 (Navegar estantería(Abre debajo)) ej. 2 Disponible UIA085994
Libros Biblioteca Francisco Xavier Clavigero Acervo Acervo General N 6502.5 B36.2002 (Navegar estantería(Abre debajo)) ej. 3 Disponible UIA085995

Incluye referencias bibliográficas (p. [359]-372) e índice.

Modernismo and the break with academic art, 1890-1934 -- The avant-garde of the 1920s : cosmopolitan or national identity? -- Social, ideological, and nativist art : the 1930s, 1940s, and after -- Surrealism, wartime, and New World imagery, 1928-1964 -- Torres-García's constructive universalism and the abstract legacy -- New museums, the São Paulo Biennial, and abstract art -- Functionalism, integration of the arts, and the postwar architectural boom -- Geometric, optical, and kinetic art from the 1950s through the 1970s -- Concrete and neoconcrete art and their offshoots in the Brazilian context -- Neofiguration, representational art, pop, and environments : the 1960s and 1970s -- Graphic art, painting, and conceptualism as ideological tools -- Some trends of the 1980s.